ARTIST STATEMENT
Marvin Humphrey


 

Marvin Humphrey has been painting in oils for about 40 years.
     Most works are small, simple still-lifes, in various styles.  Some are precisionist in the Old Master  tradition, some are loose in a more contemporary fashion.
     There are at present an estimated 500-600 paintings (completed in Napa Valley) in existence.

All the works on display are paintings in oil on either masonite panels or canvas.  Most are small still-lifes;  three of the larger pieces are painted from snapshots taken on Main Street on Thanksgiving Day, looking into shop windows. 

 


 


 

NOW ON DISPLAY:
   Vintage Plastic Cameras   


This display of vintage plastic cameras from the collection of
photographer Richard Toronto can be found in the two display
cases behind the front desk.
Come check it out!  


A Little About "Plastic Cameras"...


The so-called vest pocket camera was an innovation of the early 30’s. They were smaller and easier to carry thanks to the invention of plastic. They were lightweight and small enough to fit in one’s pocket. Cameras prior to these were bulky box cameras or bellows-type affairs.

Vest pocket cameras were usually made of Bakelite, an early plastic. They used the smaller 127 roll film and made 16 frames per roll using the “twin frame” method…i.e. two shots squeezed onto one frame.

The backs of these cameras have two small round windows in which the film numbers were centered. The A hole was the first frame; the B hole was the second. Care had to be taken while winding the film in order to reduce frame overlapping. In truth, it was almost impossible to avoid frame overlapping because the film was wound by hand.

All cameras in this display are not vest pocket cameras, but are now lumped into the category of “plastic cameras”. Ordinary people used these to take snapshots. They were cheap to buy, had plastic bodies and lenses, and were generally not precision equipment.

Some of these went on to become “cult” cameras among modern photographers, such as the Diana 120 roll film camera made in Hong Kong. There are two examples of Diana-clone cameras in this display – the Rand and the Valiant. These cameras take photos with a soft focus, sometimes mysterious “look” that some photographers find desirable.

Today, few photographers use these old cameras due to a general disdain of their low-tech qualities and difficulty in purchasing 127 films. Film in all its forms is on the way out.

All cameras in this display were produced between the 1930s and 1960s, except for the Cola Cam, a novelty plastic camera from the 1990s.

                                                                        -Richard Toronto

To see work from cameras such as these, visit Richard’s virtual gallery at Flimflamkam.com